Saturday, May 12, 2012
Grief
You're walking along and suddenly everything goes all stretchy and distorted, like one of those nightmares where sound becomes something from a monster movie and movement is no longer subject to the laws of time and space.
Oh, right, you realize. It's one of those wavy mirrors, that's all. Maybe an amplifier with all its knobs turned all the way up. You try to wake up, can't, and discover
this is no nightmare.
This is real.
She's really gone. She's really not coming back.
You clamp your hands over your ears to hide from the screams, but it doesn't work because they're coming from inside you.
So you bend every muscle to dragging your legs through the quicksand that seems to be holding them, and finally you can inch your way out of that particular section of the fun house.
For two minutes, you're better.
Then something jumps out and shrieks at you, and your heart tries to escape its cage of ribs. You throw your arms over your head, crying like a baby, but there's no Mama to comfort you, so the crying just goes on.
When it finally stops, you try to lift your head, which now weighs 200 pounds, mop up your face, and make a teeth-gritted dash through the first door you see.
Hurrah! You're on the porch! Out! There's sunshine! You take a deep breath
and your lungs seize up like an old car engine running without oil.
It was an illusion. You're not on the porch. There is no porch. There is no sunshine. It's the reflection of the flames, coming closer, coming to consume you.
I am not sure how long this goes on. Great loss first flung me into this sub-quantum Dali landscape almost a year ago. I thought I was getting close to the back door. I thought all I had to pass was the claustrophobic hallway, where the walls squeeze you until you can't breathe. And maybe the tightrope over the broken glass. I thought I would be out soon.
Wrong.
There was a sudden atomic explosion and I time-warped right back to the beginning. Here we go again. Familiarity is not a help. It increases the horror. I know what's around that bend.
I'm not going. You can't make me.
Wednesday, March 21, 2012
Okay, Just One. Or Two.
More Good-bye
Montego Bay



Good-bye
Our Last Night On the CSI Farm, Part Two


There's something about sitting quietly together around a fire, watching sparks fly up into a darkening sky, Orion and the Big Dipper swinging silently by overhead. We debated mildly about whether those two planets that have been hanging together for weeks now are Venus and Mars, Venus and Jupiter, some other thing entirely? (Does anybody actually know? Inquiring minds would love the true answer!)
Our Last Night On the CSI Farm, Part One


They have a really awesome fire pit, all lined with big stones, and someone, I don't know who, had prepared a really Boy Scoutly teepee bonfire. After supper on Friday, we were sent out, carrying our chairs, to sit by the brightly burning fire and to answer, each for ourselves, two brightly burning questions:
Last Night at the CSI Farm
Tuesday, March 20, 2012
For Our Sins, Work on the Hard Rock Pile!



I forgot to show you what we did instead of finishing the greenhouse. Actually, there were several jobs passed around. I'm not sure what all of them were. Some had to start digging a new foundation hole next to this house, but I don't have pictures, more's the pity, of them slaving to dig out the most amazingly heavy clay you ever tried to muck out of the ground! Chris McKenzie said it well: "This stuff is glue!"
Cameron's Turmeric
Cameron's Scotch Bonnet Peppers
Cameron's Cocoa Tree
Cameron's Cocoa Tree
Cameron's Farm

Cameron is a young man who lives nearby and is a friend of CSI. He was educated in the states and has gone back home to Jamaica to try to revive his old family farm and give employment to as many people in his economically depressed parish as possible. We were all pretty much awestruck at all he's accomplished already. His main products so far are little yellow Scotch Bonnet peppers (innocent-looking--don't trust them!HOT!!!), and turmeric, the things in the white bag that look kind of like large grubs. He also has a "cocoa walk" (what you call a plantation of cocoa trees) but has trouble with rot, which blackens the pods, rats, which eat into them, and the need of processing. He said at one point you were required to sell all your cocoa powder only to the government, for $8/lb, and they turned around and resold it for $64. Now, if he can build his own processing building, which sounds fairly doable, he can employ more workers and sell the powder for more. (I told him I'd buy it!)
This is a picture of Cameron's farmhouse.
Cameron's Farm
More Greenhouse Progress




Sorry it's taken me so long to get back to this. Here are some pictures of the greenhouse as near complete as we got it. We were unable to completely finish it, because parts for the gutters didn't arrive in time. So our crew chief, Patrick, gave us different work to do, which will be the subject of the next post.
More Greenhouse Progress
Friday, March 16, 2012
Greenhouse Progress






















